Saturday, May 13, 2017
William Wylie MacPherson was born in 1938 in Taransay Street, Govan, Glasgow. His father was a poet and piano player and Wylie learned to play piano as a child. He later attested his song writing skills to his father’s early influence. He went to Govan High and began writing songs as a teenager. Wylie left school at 15 and started as an Apprentice Marine Engineer at The Alexander Shipyard in Govan. His two main interests were song writing and football. At 18 he went to London to try to sell some of his songs but returned without success. On his return he was delighted to sign for Partick Thistle and later joined Johannesburg Rangers in South Africa and the for next three years Wylie found himself exiled but kept writing and in 1960, London Music Publisher accepted one of his compositions called “That’s the only way.” The song was never recorded. Undaunted he kept at it and eventually in 1962 he had his first published song, “Kiss me now,” recorded by Tommy Quickly.
The song sold moderately in Australia but was a flop in the UK. Quickly was one of Brian Epstein’s GEMS artists and this did raise Wylie’s profile. Still writing as Wylie McPherson he was advised to shorten his name to ten letters and chose Bill Martin. In 1964 he teamed up with Tommy Scott and together they wrote songs for: The Bachelors, Twinkle, Van Morrison, and Serge Gainsbourg.
In 1965, Bill met Phil Coulter and formed a publishing company which spurned hits for many British artists. The impressive list includes: The Troggs and Geno Washington (Hi Hi Hazel 1965); Cliff Richard (Congratulations 1968), and Cilla Black (Surround yourself with sorrow 1969), The Dubliners (Scorn not his simplicity 1970) and many, many more.
However, it was a composition for the 1967 Eurovision Song Contest which catapulted them into the superstar category it was Puppet on a string recorded by Sandie Shaw.
Success continued into the 70s staring with the number one hit by The English World Cup Squad (Back Home 1970).
Martin and Coulter were quick to spot the rising popularity of Scotland’s Bay City Rollers and penned a few of their hits including: Remember (Sha La La La) (1974), Shang a lang (1974), Summerlove Sensation (1974), All Of Me Loves All Of You (1974), and the band’s #1 US hit Saturday Night (1976).
Phil Coulter and Bill Martin translated the lyrics of Jean-Pierre Bourtayre and Claude François song. "Parce que je t'aime, mon enfant" (Because I Love You My Child) into English and the song was recorded by Elvis Presley in 1973 and reached #20 on the Billboard pop chart,
Bill and Phil later formed the Martin-Coulter Music Group to discover new talent including Billy Connolly and Midge Ure. Martin-Coulter Music, also signed other songwriters including Van Morrison, Christy Moore, Donal Lunny, Eric Bogle, They continued the hit factory with Kenny “The Bump" and 'Fancy Pant's; Slik with ‘Forever And Ever’. (1976).
Aside from pop music Bill also wrote for films and TV including “The Water Babies”, some “Carry on" films and a number of television theme songs including "Spiderman ".
The partnership with Coulter ended in 1983 when Martin bought out Coulter's share of the business then sold it to EMI Music. In the same year he produced the stage musical Musical Jukebox which ran to critical acclaim in the West End for six months. Bill has continued to write songs and collaborated with many other composers. As a songwriter, record producer and music publisher the boy from Govan has had No1s in every country of the world and some estimated worldwide sales of over 35 million. Bill Martin continues with other business interests but was recently inducted into his old school Govan High's Inaugural Hall of Fame in 2011 and joins fellow luminary, Sir Alex Ferguson.
Kiss Me Now (1963)
Hi Hi Hazel (1965)
Puppet on a string (1967)
Surround yourself with sorrow (1969 )
All kinds of Everything (1970 )
England World Cup Squad
Back Home (1970 )
My Boy (1971)
Ooh you are awful (but I like you) (1972 )
My Boy (1973 )
Bay City Rollers
Remember (Sha La La La) (1974 )
Shang a lang (1974 )
Summerlove Sensation (1974 )
All Of Me Loves All Of You (1974)
Saturday Night (1976 )
The Bump (1974 )
Fancy Pants (1975)
Forever and ever (1975)
Requeim (1976 )
The Water Babies
High Cockaloum (1978)
Wednesday, April 26, 2017
The Great Glen in the Scottish highlands is a rift valley 60 miles long and contains three famous lochs; Lochy, Oich and Ness. Loch Ness is around twenty two and a half miles long and between one and one and a half miles wide. It is deeper than the North Sea at 754 feet with a flat bottom. It holds 263 thousand million cubic feet of water or 16 million 430 thousand million gallons of water with a surface area of 14000 acres and could hold the population of the world 10 times over. It is fed by 7 major rivers the Oich, Tarff, Enrich, Coiltie, Moriston, Foyers and Farigaig plus numerous burns, with only one outlet the River Ness which flows 7 miles through Inverness into the Moray Firth 52 feet below the loch surface. Loch Ness never freezes because a thermocline lies around 100 feet below the surface. The top water temperature alters depending on the weather conditions but below the thermocline the temperature never varies from 44 degrees Fahrenheit. The mysterious steaming across the loch is due to heavier cold water falling below the thermocline and being replaced by the warmer water from below.
Nessie is a mystical creature that reputedly inhabits the largest freshwater lake in northern Scotland, Loch Ness . The most common speculation is the creature represents a line of long-surviving plesiosaurs. Although its existence has never been proven scientifically, eye witness accounts describe the cryptid as a large pre-historic sea creature. Nessie remains the most famous example of cryptozoology first reported on 2nd May, 1933 by a water bailiff called Alex Campbell. Later the same year a tourist and his wife reported a dragon like animal crossing the main road as it made its way to the loch. They described a four feet tall animal with a 25 feet long body and“undulating” 10- or 12-foot neck. The couple also said they saw an animal in the beast’s mouth possibly a small lamb. Soon other claims of sightings followed.
Reports of a monster in the remote Scottish Highlands were enough to attract the attention of the general public. British newspapers sent reporters to Scotland in search of additional testimony and proof the monster’s being. Marmaduke Wetherell , celebrity game hunter was engaged and discovered enormous tracks he thought belonged to a creature at least 20 feet long.
Plaster casts were taken and sent to the Natural History Museum in London for verification. These were found to be a hoax.
The first purported photograph of the monster was published in the Daily Express on the 6th December 1933. Robert Kenneth Wilson was a London gynaecologist refused to have his name associated with the photograph and the paper dubbed the it the the Surgeon's Photograph .He reported taking four photos but only two came out clear. The first one with the small head and back became the iconic image and for many years was regarded as the best evidence of the monster’s existence.
It took another 60 years to reveal the true origins of the Surgeon’s Photograph. Ninety year old Christian Spurling, (Marmaduke Wetherell step son) admitted he had colluded with Wetherell and Wilson to produce a hoax photograph.
In 1933 Bertram Mills, circus empresario offered a £20,000 reward to anyone who could capture the monster for his circus. It remains unclear whether Mills could afford the reward but it did start a landslide of interest. Reports of a monster in the Loch meant there was prize on Nessie’s head and this attracted the attention of armed hunting parties to the remote location. Local concerns were such Inverness-shire Chief Constable William Fraser wrote a letter to the newspapers in 1938, stating as it was beyond doubt the monster existed he believed his power to protect the monster from the hunters was "very doubtful".
Local man, Hugh Gray took a picture in 1933 which depicts a creature with a long grayish neck that tapers into a thin head rising out of the water, followed by two humps. Despite the photograph being published the quality was generally poor and eventually dismissed by most. Gray was a well known practical joker which only added to skeptics’ dismissal of the evidence. More recently the photograph has been analysed in detail and may indeed be genuine.
Still gripped in monster fervor R. T. Gould published his book, The Loch Ness Monster and others in 1934. Gould’s work included collected records of additional reports pre-dating 1933. The earliest recording was AD 565.
There is a tale about St Columba who saved his companion Luigne moccu Min when he was chased in Loch Ness by a beast. It is recorded in Adomnán’s Life of St. Columba, the Saint made the sign of the Cross and commanded: "Go no further. Do not touch the man. Go back at once." The beast immediately halted as if it had been "pulled back with ropes" and fled in terror.
Sightings of the Loch Ness Monster pre-1933 were rare, but did exist. Doctor D. Mackenzie of Balnain wrote to Robert Gould in 1934 to say as a young man he had witnessed an object that looked much like a log or upturned boat wriggling and churning up the water. The object moved slowly at first, then disappeared off at a faster speed (circa 1871). Sightings of the monster increased following the building of a road along the loch in early 1933. This brought both workmen and tourists to the formerly isolated area. In the same year Arthur Grant was on his motorbike and claimed to have nearly hit the creature while approaching Abriachan on the north-eastern shore of Loch Ness. It was a moonlight night and Grant was sure he saw a small head attached to a long neck.
More sightings, photographs and filmed encounters followed. A South African tourist G. E. Taylor in 1938 took a three minute 16 mm colour film. The film was never shown publically but a still was published in The Elusive Monster (1961) by Maurice Burton. Some experts thought the photograph was genuine but because it was never open to more detailed scrutiny like many reports it was dismissed as inconclusive. In 1951, Lachlan Stuart, a local Forestry Commission woodsman took a picture of what appears to show three humps moving in the waters of the Loch. Thirty years later it was revealed the humps were thinly disguised bales of hay covered in tarpaulin in another elaborate hoax. The Loch Ness Phenomena Investigation Bureau was formed in 1961and sporadic land sightings continued until 1963.
Many sonar attempts had been made but most were either inconclusive or negative. In December 1954, the fishing boat Rival III made sonar contact with a large object at a depth of 146 metres (479 ft). It was detected travelling for 800 m (2,600 ft) before contact was lost then found again. In 1961 two submarines with sonar experts on board was used but were unable to locate Nessie. They did however find a vast underwater cavern at 950 feet deep. Many speculate the elusive Nessie might use this as a hiding place. In 1975 an American-based expedition used underwater photography and special sonar to examine the Loch Ness. The underwater camera was able to take images of a moving object that had flippers. Based on these photos some scientists concluded that the 20-foot long creature was possibly an ancient reptile that became extinct with the dinosaurs some 65 million years ago.
One of the most interesting videos of the Nessie was taken in 2007 by Gordon Holmes, a 55-year-old lab technician. Considered to be one of the best filmed evidence to date the absence of other objects in the video does make comparisons impossible. Other evidence includes a sonar image taken in 2011 of an unidentified object considered to be 1.5 m (4 ft 11 in) long which apparently was following the boat of a local fisherman for two minutes at a depth of 23 m (75 ft).
George Edwards, a cruise boat operator, claimed a photograph he had taken in 2011 displaying a hump out of the water was genuine. On first inspection the photograph appeared genuine but closer scrutiny confirmed the so called monster was a fibreglass hump previously used in a National Geographic documentary that Edwards had participated in. Later he freely admitted to the hoax defending his actions as ‘ramping up interest in the Loch Ness monster and attracting people to the area.’
In 2014 after “Official Registrar of Loch Ness Monster Sightings reported no sightings of the creature had been recorded in 18 months. This was the first time since 1925 so much time had passed without a confirmed sighting claims, many feared the Loch Ness Monster was dead. Then Andrew Dixon who was browsing an Apple map of the Loch saw what appeared to be the monster close to the surface of the loch. Possible explanations for the image were it could be the wake of a boat, a seal causing ripples or a floating log. Some even believe the image was Photoshopped using an image of a whale shark. Closer inspection did also reveal the image bore a close resemblance to a Loch Ness-based cruise ship called the Jacobite Queen.
Most scientists consider it impossible for a dinosaur like creature to survive for millions of years unseen. Most sightings are simply explained away by floating logs or unusual waves. Loch Ness is fed from the Moray Firth in the North Sea via the River Ness. The sea is frequented by porpoises, dolphins and whales and seals and dolphins have been filmed in the loch many times. In the last three decades independent scientists have used sonar and satellite imagery to scan every inch of the loch and found 'no trace of any large animal living there'. The Loch Ness monster however is estimated it to be worth in the region of £50 million per annum and more than 500,000 tourists travel to the area every year in the hope of sighting the beast. Reason enough them to keep the secret of Loch Ness secret.
Loch Ness Hunter Haggis Tours
Loch Ness Investigation
Official Registrar of Loch Ness Monster Sightings
Is the British Government Hiding The Loch Ness Monster?
Is the Loch Ness Monster Dead?
Saturday, April 8, 2017
Robert Kerr Fulton was born in Dennistoun, Glasgow in 1924. The youngest of three brothers, the family moved to Riddrie, when Rikki was three. His mother did not keep well and Rikki grew up as a bit of a loaner but with a veracious reading habit. His father had been a master locksmith but bought a newsagent and stationery shop. Fulton completed his secondary education at Whitehill Secondary School in 1939. He wanted to become an actor but initially worked in the family's stationery business. When he was 17, he joined the Royal Navy Volunteer Reserve, and served until 1945. He took up straight acting and had a knack for accents Rikki worked his way through local repertory theatre, into broadcasting on the BBC Home Service (Scotland). With a foot on the ladder he gave up his interest in the stationary business to concentrate upon his acting career.
He moved to London in 1953, and became the laconic compere of The Show Band Show (Cyril Stapleton) on the Light Programme. There he worked with several luminaries including Frank Sinatra.
In 1953, he made his film debut playing a poacher in the romantic comedy Laxdale Hall (Released in the US as Scotch on the Rocks).
Rikki wanted to be a comic and started to write his own material and on his return to Scotland in 1954, became a regular on Five Past Eight at the Glasgow Alhambra and the King's Theatre in Edinburgh. Although principally based in Scotland he was invited to appear on Bernard Delfont's Sunday Show in 1959 as "the new UK comedy personality".
In 1960 and 1961, he starred in two Saturday night specials for the BBC, called The Rikki Fulton Show, with Ethel Scott (his wife) as his foil. Both shows enjoyed peek viewing. He loved pantomime and starred in "A Wish for Jamie," with Kenneth McKellar and Fay Lenore, which premiered at the Alhambra Theatre Glasgow in 1960, and its sequel "A Love for Jamie," which ran for three consecutive winters.
While working at the King's Theatre, Edinburgh, Fulton met comedian Jack Milroy. Together they created a stage double act of two gormless Corner Boys from Glasgow named "Francie and Josie". In 1962, Scottish Television featured a new series called The Adventures of Francie and Josie. which established both Fulton and Milroy as household names in Scotland. By the mid 60s, he was the star of the Rikki Fulton Hour (Scottish Television), which featured a series of hilarious sketches.
From the success of Francie and Josie, Rikki decided to return to straight roles and appeared at the 1973 Edinburgh Festival playing "Flatterie" in a pre-Reformation satire entitled ‘Ane Pleasant Satyre of the Thrie Estaitis in Commendatioun of Vertew and Vituperatioun of Vyce. He also played Andrew Fairservice in BBC TV's serialisation of Sir Walter Scott's Rob Roy (1977). Two years later he was the Laird O'Grippy in the televised adaptation of Molière's The Miser. He continued to perform regularly in pantomime , mostly notably with the Royal Lyceum Company in Edinburgh and the Scottish Theatre Company based in Glasgow. In 1978, he began Scotch and Wry series on the BBC and it continued for another 15 years. The comedy sketch show with a distinct Scottish accent became an institution at Hogmanay. The series established the character of Fulton's lugubrious television vicar the Rev I.M. Jolly. Another well-remembered character was Supercop, a glaikit police motorcyclist whose persecution of drivers always began with the words: "OK Stirling, oot the car."
In 1980, Rikki played the elder, John Fleming in The Sandyford Place Mystery: Square Mile of Murder (TV Series) and in the following year appeared as Robbie Kerr in Nothing Like a Dame. More straight roles followed with Autolycus, in the BBC Television Shakespeare production of The Winter's Tale (1981), then Lord Justice Clerk in Boswell for the Defence, (1983). Guest appearances in Bergerac (1981), The Country Diary of an Edwardian Lady (1984), and Scotland's Story, an epic dramatised history for Channel Four, saw him back on the small screen. Rikki Fulton returned to cinema in 1981, with The Dollar Bottom, and shocked his Scottish fans with his cruel eyed and saturine rendition of the KGB major in Gorky Park (1983). He appeared in Bill Forsyth's Local Hero (1983) and Comfort and Joy (1984). Back treading the boards, he won acclaim in his and Denise Coffey's reworking of Le Bourgeois Gentilhomme as A Wee Touch o' Class at the 1985 Edinburgh festival.
Rikki played Dan Macphail, the engineer, in The Tales of Para Handy in BBC’s follow up to The Vital Spark. The series ran from 1994 to 1995.
In 1996, after 36 years of performing as Francie and Josie, Fulton and Milroy appeared in their "Final Farewell" at the King's Theatre, Glasgow. Rikki Fulton's last full performance on television came in 1998, his second appearance in Rab C. Nesbitt.
In 2002, Rikki Fulton was diagnosed with Alzheimer's disease and died peacefully at the age of 79 in 2004. In tribute to his Scotch and Wry character Supercop, police motorcyclists escorted the funeral cortège as it made its way to the Crematorium.
Monday, March 13, 2017
Ian Scott Anderson, was born in 1947, in Dumfermline, the youngest of three siblings. The family lived in East Port, Dunfermline, Fife, Scotland, then later moved to Edinburgh. The young Anderson was always keen on music, initially influenced by his father's record collection of big bands and jazz musicians, then later by rock n roll. In 1959 the family relocated to Blackpool and Ian finished his schooling at Blackpool Grammar School. In 1962/63, he formed a school band called The Blades and they played soul and blues music, with Anderson on vocals and harmonica. The line-up was complete with Jeffrey Hammond (bass), John Evans (drums and piano), and another guitarist. Drummer Barrie Barlow became a member in 1963 after Evans had switched from drums to piano. Later the band developed into a seven piece called the John Evan Band (before becoming the John Evan Smash). Meantime Ian completed his studies in fine art at Blackpool College of Art. The group decided to try their luck in the South and moved to Luton. Frustrated by the lack of instant success most of the band quit, leaving Anderson and bassist Glenn Cornick (who had replaced Hammond) to join forces with blues guitarist Mick Abrahams and his friend, drummer Clive Bunker, both from the Luton-based band McGregor's Engine. They took a series of names as they played the London Club circuit but what was memorable about their various metamorphoses was Ian played mouth organ on stage standing on one leg. Frustrated by his own inability to master the electric guitar Ian traded it in for a flute and in record time became proficient in rock and blues flute. Eventually the band weas christened Jethro Tull by a booking agent’s clerk and the name stuck. The group signed to the Ellis-Wright agency and they released their first single in 1968 called "Sunshine Day.”
The record failed to impact on the record buying public. Their first album 'This Was ‘came out in the same year and caught some critical acclaim.
Blues purist Mick Abrahams left the band to form Blodwyn Pig after some artistic differences with Ian Anderson.
Martin Barre eventually replaced Abrahams and Jethro Tull released their next album Stand Up in 1969. It topped the UK album charts.
Progressive rock groups rarely issued singles as their demographic was young adults and not young teenagers who traditionally could not afford to buy albums. When Jethro Tull released “Living in the Past" as a single it reached number three in the UK charts.
They followed up with their other singles, "Sweet Dream" (1969) and "The Witch's Promise" (1970), and a five-track EP, Life Is a Long Song (1971), all of which made the top twenty.
By the time the album Benefit was released John Evan (keyboards) had joined the band.
In the same year Jeffrey Hammond re-joined the group when bassist Glenn Cornick was asked to leave. The group released their most popular album Aqualung in 1971 which had international success reaching Number 7 in the US album charts.
In 1972 the concept album Thick as a brick was released and topped the charts.